Even though Danny Glover doesn’t have the same screen presence as Arnold Schwarzenegger, Predator 2 still manages to hold its own as a fun action sci-fi that further develops a franchise centered around one of the most iconic aliens in cinema. Oh, we’re not doing movie reviews? It’s Predator 2 the synth? Right, right. So, Predator 2 the synth is a sequel to Predator – one of Rob Papen’s classic virtual instruments which I never got to test. Of course, that won’t stop me from reviewing the product at hand, just don’t expect any comparisons. A versatile instrument From the get-go, Predator 2 comes forth as a very flexible synth. This shouldn’t surprise anyone, since no less than three dual oscillators reside at its core, allowing you to morph a wide variety of waveforms, from the basic sines and saws to more complex octaves, overtones, and vowels. If you’re not satisfied with the already large selection, you can always draw your own waveforms using many of the plugin’s intuitive tools. For a synth with so many capabilities, Predator 2 comes off as user-friendly. Most of the parameters are displayed in the main interface, including filter, envelope, LFO, amp, effects (plenty to choose from), and even the XY pad – ever-present in Rob Papen’s more recent creations. In the lower middle section, you can switch between tools such as the arpeggiator, the XY pad command center, the wave editor, the modulation matrix, or the 3-band EQ. For those who love darker sounds As its gloomy-looking interface suggests, Predator 2 tends to lean towards dark, twisted, and even abrasive sounds. You can easily notice this while browsing through its many presets or by experimenting with its functions. So while this isn’t a program for producers who want to create soothing music, it’s a great sounding synth than offers many possibilities for exploring darker soundscapes.
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In the wake of a brutal alien attack, the fate of the crew of the USS Saratoga rests on an elite team of “Predators” – genetically-engineered humans. But when those Predators are discovered to have fatally flawed DNA, an even more terrifying enemy rises from the shadows – an army of ravenous hybrids that feast only on human flesh! Can mankind survive the attack of the aliens and the betrayal of its own creation? In order to use the Whizzer distortion in Native Instruments Massive, you need to load a musical instrument, click ‘Add S&H’ and then drag the Whizzer distortion to the second slot. However, I’m not entirely sure if this is allowed. Q: Will I be able to add a step sequencer to the plugin? A: Yes, but this is a work in progress. Q: Is there MIDI support? A: Yes, but it’s currently only limited to IK Multimedia’s iKontrol X3 controller. Q: Will there be more presets in the future? A: Yes, likely in the form of additional plugin bundles. Q: Will you support MIDI controllers and add MIDI options to the GUI? A: Yes. Q: Will the Massive iOS app support the Whizzer distortion? A: No. Q: Will the Massive VST run on PC and Mac? A: Yes, and the free (Humble) edition is available for download right now. Q: Can you have more than one distortion on the same track/slot? A: Yes, as long as they use different algorithms, i.e. distortion and equalization. Q: Will you add reverb? A: Yes, as long as I can add it to the distortion algorithm. Q: Will the 6-band EQ support presets? A: Yes. Q: Will I be able to add a step sequencer to the plugin? A: Yes, but this is a work in progress. Q: Is there MIDI support? A: Yes, but it’s currently only limited to IK Multimedia’s iKontrol X3 controller. Q: Will there be more presets in the future? A: Yes, likely in the form of additional plugin bundles. Q: Will you support MIDI controllers and add MIDI options to the GUI? A: Yes
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Delivering four separate oscillator sections, four distinct envelopes, four sustain knobs, and a clock, Predator 2 is a complete, fully featured synthesizer. In addition to the four oscillators, the instrument offers four synth-quality filters and four different envelope types: hp, lp, ip, and rp. The oscillators can be combined to create almost any combination of sounds. …/…/…/…/…/…/ Unparalleled quality Predator 2 is the first Rob Papen’s synths to be released for the Mac platform. A high-end, 64-bit music program, the perfectly packaged instrument is available as a standalone purchase or as part of the SonicStones.com bundle. Pre-orders for the standalone version have been shipping since July of this year. A giant of a synth, Predator 2’s $999 retail price might be a bit too much for a music producer on a budget. Still, the music production industry is a good place for high-end products of this caliber. Also, Predator 2 comes with a one-year subscription to SonicStones.com, a multimedia subscription service focused on video content, community forums, premium content, and a growing online instrument marketplace. There are quite a few other synths on the market that can recreate Predator 2’s vast array of sounds, but a lot of them, such as any Williams analog modules, are too pricey. In addition to the cost factor, on top of the quality of the synth, Rob Papen has worked hard to craft a suite of tools, virtual instruments, and effects designed to make the most of a synth. A killer combination of synth and effects By default, Predator 2 offers a lot of cool effects. It comes with a four-band EQ, two reverbs, and three delay/reverb/chorus effects. This is just the tip of the iceberg, however, since Predator 2 is loaded with a plethora of other effects that can be applied directly to the synthesizer’s output. Some of the available effects are: a flanger, a 7-band compressor, a reverb/compressor, delay, chorus, and chorus/delay. For his part, Rob Papen has also included a number of virtual instruments to help you get creative. In addition to the usual suspects like a filter, arpeggiator, and reverb, Predator 2 comes with a reverberation, delay, amp simulation, a 2f7fe94e24
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The Predator plugin features a variety of synthesiser waveforms, plus effects, plus modulation, plus more. A synth for a synth! In addition to its diverse functions, Predator 2 is a synth, and thus has all the tools one can expect from the genre: audio, modulation, effects, and more. But that’s not all. Oh no, Predator 2 is a plugin – at its core resides a complete sound engine. According to Rob Papen, a synth for a synth! While not every sound featured in Predator 2 comes from the recently released Predator VST, the plugins does have the plugin’s trademark sound. While not the first Rob Papen creation to have a synth at its core, it’s the first time I hear a synth this versatile. And that’s what makes Predator 2 so special. You can even use the synth along with Predator VST (minus the wave engine) to create all kinds of effects. In fact, the wave engine in itself is two plugins in one. Rob Papen has used it not only to create effects, but also to simulate an oscillator with the envelope mod, and even create internal effects. All of these features are straightforward to use and listen to. Let’s get to work! Verdict Okay, this is it. The end of the road. I’ve been working on this review for some time, but I’ve just finished it. I’m proud to say I’ve stayed focused and managed to follow the beaten paths of the past nine months. I’ve even stayed to myself in the hope to take my reviews to the next level. Well, I don’t know about the next level, but at least it’s the end of the line. After this review, Rob Papen will never write another one of these pieces – at least not for a long time. While I will be the first to admit I can’t play as much music as I used to, I think I can write reviews about music as good as the ones I used to. Sure, I may not be at Rob Papen’s level at the moment, but I’m learning something. Even so, I need to take care of my health – I only have two years left in this world. I’m pretty good, I’ve managed to forget all the differences between the positive and negative emotions
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Titled “Version 2” after the second feature in the Predator franchise, Predator 2 might be short but not lacking. Yes, this instrument is a synth, but it focuses more on a cinematic sound than a traditional synth sound. But if you’re a fan of Predator, chances are you already know what it is and that Predator 2 will offer something new. The synthesizer has 2 oscillators, 2 waveforms and up to 5 filters. There’s an amp, 5 LFOs (one being a saw), a 3-band EQ, and FX. Some filters offer five modes: low pass, high pass, band pass, all pass, high shelf and 2x-3x expander. You can create your own waveforms using the tools provided. The menu is organized to help you get what you’re looking for. It has a lot of preset options, though there are a few created by the developers. In the Options menu, you’ll find things like easy mode, random mode, an env preset system, an XY pad, the modulation matrix, a velocity vs. control interface, and a load/save. Never release a PlayStation console without a way to play classic PlayStation games on it, and Sony isn’t giving up that standard. PlayStation 4 comes out on Friday, November 15, and it’s coming with 20 classic PlayStation games that you can play right out of the box. These aren’t remakes or bundles of digital games. These are full games – with disc-based copies. You won’t be able to play these on other platforms, but you can play them on PlayStation 4. Here’s a list of the games: Blades of Time Championship Boxing Command & Conquer: Red Alert 1 & 2 Crash Bandicoot 1 & 2 Jak & Daxter Need for Speed Okami Perfect Dark Prince of Persia Resistance Sid Meier’s Pirates! Strider Super Puzzle Fighter II Turbo System Shock 1 & 2 Teenage Mutant Ninja Turtles Warcraft The Ring debuted its first feature film – The Darkest Light, which debuted at the Toronto International Film Festival – and a lot of people got to check it out. So, because it’s its director’s birthday, here’s the chance to get your First Look of it. You can watch the
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